A special issue of Modernism/Modernity
![]() |
Modernism/Modernity, Volume 18, Number 4 (November 2011) |
Samuel Beckett: Out of the Archive
Introduction- Peter Fifield, 'Samuel Beckett: Out of the Archive, An Introduction'
- Linda Ben-Zvi, 'Beckett and Disgust: The Body as “Laughing Matter”'
- Jean-Michel Rabaté, 'Beckett’s Three Critiques: Kant’s Bathos and the Irish Chandos'
- Lois More Overbeck, 'Audience of Self / Audience of Reader'
- Pascale Sardin and Karine Germoni, '“Scarcely Disfigured”: Beckett’s Surrealist Translations'
- David Addyman and Matthew Feldman, 'Samuel Beckett, Wilhelm Windelband, and the Interwar “Philosophy Notes”'
- John Bolin, 'Beckett’s Murphy, Gide’s Les Caves du Vatican, and the “Modern” Novel'
- C. J. Ackerley, '“Primeval mud impenetrable dark”: Towards an Annotation of Comment c’est/How It Is'
- Dirk Van Hulle, 'Modern Manuscripts and Textual Epigenetics: Samuel Beckett’s Works between Completion and Incompletion'
- Ulrika Maude, 'Beckett and the Laws of Habit'
- Mark Nixon, 'Beckett’s Manuscripts in the Marketplace'
- Michael White, 'Portrait of the Artist as an Old Man'
- Lawrence Rainey, David Atwell and Benjamin Madden, 'An Interview with J. M. Coetzee'
- Hugh Haughton and Bryan Radley, 'An Interview with John Banville'
- Peter Fifield, 'Introduction to “The New Object”'
- Samuel Beckett, 'The New Object'
- John Pilling, 'Introduction to “Le Concentrisme” and “Jean du Chas”'
- Samuel Beckett, '“Le Concentrisme” and “Jean du Chas”: Two Extracts'
- Marek Kędzierski, 'Barbara Bray: In Her Own Words'
Also at A Piece of Monologue: