5.1.12

Simon Glendinning, Derrida: A Very Short Introduction

A new guide to one of the most difficult contemporary philosophers
Jacques Derrida
In this week's Times Literary Supplement (6 January 2012), Neil Badmington reviews Derrida: A very short introduction by Simon Glendinning:
Glendinning's overview is accurate and informed, and the book covers many of the key terms: logocentrism, aporia, and grammatology, for example. I have a reservation, however, about the level at which the volume is pitched. Oxford Universty Press's "Very Short Introductions" are, the publisher explains, "for anyone wanting a stimulating and accessible way in to a new subject", and many of the titles in the series live up to this claim. (Catherine Belsey's Postructuralism and Peter Singer's Marx come to mind.) But Glendinning is often too immersed in the material to meet the needs of a newcomer. A discussion of the preface to Of Grammatology, for example, is interrupted by a reference to "Derrida's 'messianic' hope, a messianism without a determinate messianism'. Glendinning is not wrong to make the link, but the absence here of an explanation of Derrida's work on the messianic renders the allusion an obstacle. Meanwhile, a later chapter claims that "Derrida's conception of the 'text'... is not simply Heidegger's 'world'", but reveals nothing about the meaning of "world" in Heideggerean philosophy.

Glendinning's book might satisfy readers already familiar with Derrida's writings, but those seeking an accessible guide will need to turn elsewhere, perhaps to John D. Caputo's Deconstruction in a Nutshell (1997) or Nicholas Royle's Jacques Derrida (2003). Between here and there is a world of difference.
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5.1.11

Literature and Culture: Catherine Belsey

A special issue of Textual Practice, dedicated to the work of Catherine Belsey

Literature and Culture: The Work of Catherine Belsey
Edited by Neil Badmington and Jürgen Pieters

About the Issue

For more than a quarter of a century, the work of Catherine Belsey has shaped and reshaped how we read literature and culture. This special issue of Textual Practice – the first of its kind – addresses the difference that Belsey’s work has made.

The collection is not a Festschrift; it is, rather, a series of theoretical, literary, and cultural investigations that take different aspects of Belsey’s work as a starting point. The engagement, moreover, is critical: if the volume works in the wake of Belsey’s writings, it regularly does so with a view to pushing her findings in new directions. Jean-Jacques Lecercle’s contribution, for instance, discusses Belsey and Žižek on Lacan’s concept of the real, establishes their differences, and then proceeds, drawing upon Marx, to move ‘beyond Belsey’. Alan Sinfield, meanwhile, looks back to Critical Practice, Belsey’s first book, and reconsiders the place of Pierre Macherey in Belsey’s radical challenge to traditional accounts of reading. In doing so, and in comparing the first and second editions of Critical Practice, Sinfield draws attention to the turn to ‘undecidability’ in Belsey’s work and questions its place in the practical realm of politics. For Sinfield, undecidability is not wholly satisfactory, and, like Lecercle, he calls for a move beyond the account offered in Belsey’s work.

Other contributions to the volume draw upon Belsey’s writings to discuss, among other things: Shakespeare and death; fairy tales and Roland Barthes; visual culture; psychoanalysis; non-human cultures and the limits of cultural analysis; tragedy and subjectivity; and New Historicism.

Contributors

Neil Badmington, Catherine Bernard, John Drakakis, Indira Ghose, Jean-Jacques Lecercle, Jürgen Pieters, Kris Pint, Alan Sinfield, and Julia Thomas. The collection closes with an afterword by Catherine Belsey.

Contents

Editors’ Foreword
Neil Badmington; Jürgen Pieters

Danger! Keep out!: exploring culture with Catherine Belsey (and other animals)
Neil Badmington

When the real matters: interpreting the visual with Catherine Belsey
Catherine Bernard

Revisiting The Subject of Tragedy
John Drakakis

Jesting with Death: Hamlet in the Graveyard
Indira Ghose

An old Bolshevik of theory, or: welcome to the abundance of the Belseyan real
Jean-Jacques Lecercle

‘I was never a new historicist’: Catherine Belsey's ‘history at the level of the signifier’
Jürgen Pieters

Kissing the text: performing the motif of Sleeping Beauty
Kris Pint

Reading Critical Practice and Macherey
Alan Sinfield

Illustrations by Belsey
Julia Thomas

Afterword
Catherine Belsey

Website: Literature and Culture: The Work of Catherine Belsey, Textual Practice

Also at A Piece of Monologue