1.7.14

Taxi Driver: Behind The Scenes Photographs

Rare photographs from the set of the 1976 film
Martin Scorsese directs Robert DeNiro in Taxi Driver
Robert DeNiro as Travis Bickle on the set of Taxi Driver
Screenwriter Paul Shrader (left) pictured with director Martin Scorsese (middle) and Robert DeNiro (right)
Martin Scorsese directs Robert DeNiro and Cybill Shepard on the set of Taxi Driver
Exterior shooting on the streets of New York for Taxi Driver
Martin Scorsese directs Cybill Shepard on the set of Taxi Driver
Cybill Shepard on the set of Taxi Driver with Martin Scorsese
Robert DeNiro pictured with Martin Scorsese on the set of Taxi Driver
Jodie Foster, Robert DeNiro and Martin Scorsese on the set of Taxi Driver
Martin Scorsese and Robert DeNiro on the set of Taxi Driver

Robert DeNiro and Martin Scorsese on the set of Taxi Driver
Filming the final scenes of Taxi Driver

Jodie Foster pictured with her body double
Martin Scorsese directs on the set of Taxi Driver
Outtakes from Martin Scorsese's Taxi Driver (1976)
Robert DeNiro as Travis Bickle on the streets of New York
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5.8.12

Roger Ebert on Alfred Hitchcock's Vertigo

American film critic reflects on the subtleties of Hitchcock's 1958 film
A still from Alfred Hitchcock's Vertigo (1958)
Film critic Roger Ebert (Chicago Sun-Times) reflects on the news that Alfred Hitchcock's Vertigo has displaced Citizen Kane as the BFI's Greatest Film Ever Made (thanks to Michael John Goodman for the link): 'The king is dead. Long live the king. Welles' "Citizen Kane" has been dethroned from the Sight & Sound list of the greatest films of all time, and replaced by Hitchcock's "Vertigo." It's not as if nobody saw this coming. The list first appeared in 1952, and "Vertigo" (1958) made the list for the first time only in 1982. Climbing slowly, it placed five votes behind "Kane" in 2002. Although many moviegoers would probably rank "Psycho" or maybe "North by Northwest" as Hitch's best, for S&S types his film to beat was "Notorious" (1947). That's the one I voted for until I went through "Vertigo" a shot at a time at the University of Virginia, became persuaded of its greatness, and put it on my 2002 list.' [Read More]

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Martin Scorsese on Hitchcock's Vertigo

American filmmaker remembers seeing Vertigo at the age of 15

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20.7.12

Mark Kermode on Unfilmable Novels

A list from the Kermode Uncut Blog



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19.6.12

David Denby on Fyodor Dostoyevsky

'Can Dostoevsky still kick you in the gut?'
Source
David Denby writes about Fyodor Dostoyevsky for The New Yorker blog Page Turner:
Many people would say that Dostoevsky’s short novel “Notes from Underground” marks the beginning of the modernist movement in literature. (Other candidates: Diderot’s “Rameau’s Nephew,” written in the seventeen-sixties but not widely read until the eighteen-twenties, and, of course, Flaubert’s “Madame Bovary,” from 1856.) Certainly, Nietzsche’s writings, Freud’s theory of neurosis, Kafka’s “Metamorphosis,” Bellow’s “Herzog,” Philip Roth’s “Portnoy’s Complaint,” perhaps Scorsese’s “Taxi Driver,” and half of Woody Allen’s work wouldn’t have been the same without the existence of this ornery, unstable, unmanageable text—the fictional confession of a spiteful modern Hamlet, an inhabitant of St. Petersburg, “that most abstract and pre-meditated city,” and a man unable to act and also unable to stop humiliating himself and embarrassing others. A self-regarding, truculent, miserable, paralyzed man. As I began reading “Notes” again recently (in Andrew R. MacAndrew’s translation for Signet Classics), I wondered if it had been overwhelmed by the books and movies that it has influenced. I wondered if “Notes” would seem like a dim echo, whether it still had the shock value that I remember from long ago. [Read More]
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8.11.11

Krzysztof Penderecki: Horror Composer

Penderecki's music has been used to score a number of horror classics
Jack Nicholson stars in Stanley Kubrick's The Shining (1980)
Tom Service writes: 'If you've seen Stanley Kubrick's The Shining more than a couple of times, or if you've been renewing your relationship with William Friedkin's The Exorcist over Halloween; if you've enjoyed Martin Scorsese's Shutter Island or marvelled at David Lynch's Inland Empire, I've got news for you. You're a Penderecki fan – even if you've never heard of Poland's most famous living composer.' [Read More]
16.2.10

Taxi Driver to be remade?

Martin Scorsese's landmark film to be re-imagined for the present-day

Yesterday, I mentioned some of the characteristic themes of Don DeLillo's fiction, ranging from commercialism, media representation and catastrophe in American culture. For fans of Martin Scorsese's Taxi Driver, these motifs are all-too-familiar. The film addresses all of these themes to a greater or lesser degree, and presents them as symbols of a culture in decline. Robert DeNiro's performance became a signature trademark of urban alienation and threatened masculinity, as a dislocated protagonist attempts to navigate the disorientating streets of late 1970s New York.

Travis Bickle, a full-time taxi driver, becomes increasingly disconnected from his surroundings, and begins to imagine moral and political codes as corrupted by a malevolent modernity. Bickle's fragile relationship with reality shifts and splinters as he fantasizes about moral salvation. He imagines himself as the assassin of a presidential candidate, or a cinematic archetype of brutal vigilantism. The films ends appropriately as an ironic comment on the very idea of the hero, a figure constructed by traditional moral codes that operates through violence and social paranoia.

With this in mind, it's interesting to hear rumours of a possible remake or re-imagining of Scorsese's landmark film. Some might argue that the last ten years have been characterized by media paranoia and reactionary politics, fertile ground for a new Travis Bickle. A new adaptation could update this marginal figure for the twenty-first century, a place to inscribe cultural fears and anxieties. In short, someone troubled and confused, with dreams of salvation in his head (link via Ballardian):
In what is surely the most bizarre rumour to emerge from this year's Berlin film festival, it is whispered that Martin Scorsese and Robert De Niro are preparing a remake of Taxi Driver, their 1970s tale of a man who stood up, saw clearly and shaved his hair into a mohawk. Only this time, it transpires, they may have a fresh passenger on board – Lars von Trier could be riding shotgun.

Copenhagen film magazine Ekko reports that Scorsese is currently discussing the possibility of a rebooted Taxi Driver with the Danish director in tow. It remains to be seen whether this will be a remake or a sequel, or so much hot air of the kind that has a tendency to swirl around the mischievous Von Trier. Speaking to the magazine, Peter Aalbæk, Von Trier's producing partner at Zentropa studios, would "neither confirm nor deny" the rumour, but said that an announcement would be made shortly. [Read the article]

16.7.09

Godard, Coffee and the Universe

A scene from Godard's 2 ou 3 choses que je sais d'elle

A scene from 2 ou 3 choses que je sais d'elle, famously referenced in Martin Scorsese's Taxi Driver. With its heady blend of urban alienation and coffee fetishism, existential ennui never felt so hip!